▲装置组合A | Device combination A
愈想努力抓住回忆，它愈狡狯溜走；如同在我们脑海里最深处飘忽地若隐若现地游动着一支闪光的水团，苦于无法将它捞起和抓住。——茨威格
The harder we try to grasp the memory, the more sly it slips away; like a gleaming water swam loomingly in the deepest part of our minds, we are unable to pick it up and grasp it. —— Stefan Zweig
业主是一家立志成为珠宝界的嬉皮士的小众先锋珠宝设计品牌，奉行对珠宝和对传统的反叛，希望打造非传统的美学展陈空间。秉承 “小众即出众“ 的设计理念，在空间和装置设计上，设计师希望将品牌本身先锋时尚的性质和空间品质相结合，将品牌强调创新、反叛传统的个性注入传统的商场中，创造出独属于品牌的自由的美学空间。
The owner is a niche avant-garde jewelry design brand that aspires to become a hippie in the jewelry industry. It pursues a rebellion against jewelry and tradition, and hopes to create a non-traditional aesthetic exhibition space. Adhering to the design concept of “niche is outstanding”, in space and installation design, the designer hopes to combine the brand’s own avant-garde fashion nature and space quality, and inject the brand’s personality that emphasizes innovation and rebellion against traditions into traditional shopping malls, creating Create a free aesthetic space unique to the brand.
▲平面布局 | Plan
此次项目中的品牌店面选址于杭州，这座城市，在传承历史文化的同时，也在不断的进行现代化的建设和更新。商场与西湖相伴，店铺临近主要室内商街，正对地铁站入口扶梯，交通便利，处于人流交汇处。设计旨在呈现视觉爆点，引发空间共鸣或是争议。
The brand store in this project is located in Hangzhou, a city that, while inheriting history and culture, is also constantly undergoing modernization and renewal. The shopping mall is accompanied by the West Lake, and the shop is close to the main indoor shopping street, facing the escalator at the entrance of the subway station, with convenient transportation and an intersection of people. The design aims to present visual bursts, sparking spatial resonance or controversy.
当代室内空间设计不仅局限于传统家具、墙顶地的深化完善。随着工业的成熟进步，与人们对商业空间体验的认知升级，不锈钢艺术装置、3D打印技术被更为广泛的应用在室内设计中，以打破传统珠宝行业单一乏味的固有模式，呈现更具个性化空间。新技术和新业态融合，跨界装置设计，探寻新时代下的创新美陈空间。
Contemporary interior space design is not limited to the deepening and perfecting of traditional furniture and wall tops. With the maturity and progress of industry and the upgrading of people’s cognition of commercial space experience, stainless steel art installations and 3D printing technology have been more widely used in interior design, in order to break the single and boring inherent mode of the traditional jewelry industry and present more Personalized space. The integration of new technologies and new formats, cross-border device design, explores the innovative beauty space in the new era.
▲空间轴测图 | Axonometric drawing
装置主题背景 | Device theme
珠宝的意义，在于纪念和回忆。时间会将我们的记忆冲淡，让我们迷失当年的幸福，而珠宝就是那个承载着时间和回忆的容器，随着时间的流逝，它依旧璀璨如初。空间设计以时间暂停为主题，呈现了在海底世界，一系列生物为了使时间停止而做的举措，它们为什么想让时间暂停？有什么东西遗落在了时间的长河？
The meaning of jewelry lies in remembrance and memory. Time will dilute our memories and let us lose the happiness of the year. Jewelry is the container that carries time and memories. As time goes by, it remains as bright as ever. With the theme of time pause, the space design presents a series of actions taken by creatures in order to stop time in the underwater world. Why do they want time to pause? What is left in the long river of time?
▲装置组合B | Device combination B
设计中，吞噬时间的鱼、时间沙漏和时光胶囊为304不锈钢雕塑，愤怒机械人头雕塑为玻璃纤维3D打印工艺。从传统的不锈钢造型工艺到玻璃纤维3D打印，到复合材料，该项目对不同工艺属性及其组合方式进行了探索。
In the design, the fish, funnel and capsule are 304 stainless steel sculptures, and the human head sculptures are glass fiber 3D printing processes. From the traditional stainless steel molding process to glass fiber 3D printing, to composite materials, the project explored different process attributes and their combinations.
▲互动艺术装置：时间沙漏 | Interactive Art Installation: TIME Hourglass
沉在海底的巨型沙漏是掌管时间机器的核心，它永不停滞的流动，进行着对时间的精打细算。人们拿着据说可以封住流沙的永恒宝石进入沙漏中，将它放在沙漏的接口处，静静的等待着时间的停止，果然，时间停下来了，沙漏内成为了永恒，但沙漏外的时间还在不停的推进着；沙漏雕塑倾斜放置在整个装置构图最中间的地方，是整个视觉的中心，为304不锈钢材料，采用红色质感金属涂料喷漆，底部嵌入地面碎石之中，仿佛从天而降的庞然大物沉在海底。
The giant hourglass sunk on the bottom of the sea is the core of the time machine. It never stops flowing, and is carefully calculating time. People enter the hourglass with the eternal gem that is said to be able to seal the quicksand, put it at the interface of the hourglass, and quietly wait for the end of time. Sure enough, time has stopped. The inside of the hourglass becomes eternity, but the outside of the hourglass Time is still advancing; the hourglass sculpture is placed obliquely in the middle of the entire installation composition, which is the center of the entire vision. It is made of 304 stainless steel, painted with red metallic paint, and the bottom is embedded in the gravel on the ground, as if falling from the sky. The behemoth sank on the bottom of the sea.
▲装置组合C | Device combination C
▲互动艺术装置：吞噬 | Interactive Art Installation: Engulf
鱼的记忆只有7秒，7秒的爱情，7秒的友情，7秒的亲情，记忆的短暂让它们疯狂的想要制止时间的流逝，但它们无法拿起宝石，但强大的欲望迫使它们无情的吞下机器周围的钟表、齿轮，以及和时间有关的一切。由于它本身的体量巨大，雕塑鱼在整个空间十分具有冲击力，穿梭于神秘海底之中，鱼的眼睛是望远镜镜头的形象，增加了机械朋克的元素，鱼肚为钢筋箍成的镂空轮廓，整体采用304不锈钢雕塑造型工艺，呈现出一个充满时尚感和未来感世界。
Fish’s memory is only 7 seconds, 7 seconds of love, 7 seconds of friendship, 7 seconds of affection. The short memory makes them want to stop the passage of time crazily, but they can’t pick up gems, but their strong desire forces them to be ruthless. He swallowed the clocks, gears, and everything related to time around the machine. Due to its huge volume, the sculptured fish is very impactful in the entire space. It travels through the mysterious seabed. The eyes of the fish are the image of a telescope lens, adding a mechanical punk element. The fish belly is a hollow outline made of steel hoop. The overall use of 304 stainless steel sculpture modeling technology presents a world full of fashion and futuristic sense.
▲装置组合D | Device combination D
▲互动艺术装置：愤怒机械 | Interactive Art Installation: Angry Machine
我们在日复一日的工作，成为了工作的机器，没有感情，没有生活，如果时间可以停止，是否能有稍刻缓歇呢？人头的蓝色LED灯加强了它本身的机械感，身下的机械臂正在不停的劳作，永不停歇，机械臂与人头之间是由人腿组成的转动齿轮。将人体进行解构和重组，重新赋予它们不同的意义。
We work day after day and become working machines, without feelings and without life. If time can be stopped, can we take a short break? The blue LED light on the human head enhances its own mechanical sense. The mechanical arm under the body is constantly working and never stopping. Between the mechanical arm and the human head is a rotating gear composed of human legs. Deconstruct and reorganize the human body, and give them different meanings again.
▲愤怒机械效果展示 | Angry Machine
▲时间胶囊 | Time capsule
机器四周摇曳着海草，海草间隐约可见一些杂乱散落在沙石上的时间胶囊，尘封了众生最想留住的那一刻，打开胶囊，就可以重温过去的幸福。当然现在的人们也可以不吝啬的将现在的故事留下，让它成为未来的过去。胶囊成为了时间暂停的隧道，也组成了无数个不同时间下的自己。
Seagrass swayed around the machine, and some time capsules scattered on the sand and rocks were faintly visible among the seagrass. The dust sealed the moment that all beings most wanted to keep. Open the capsule and you can relive the happiness of the past. Of course, people now can not hesitate to leave the current story behind and let it become the past in the future. The capsule has become a time-suspended tunnel, and it has also formed countless selves at different times.
▲装置组合E | Device combination E
▲空间入口 | Entrance
装置与空间布局 | Installation and space layout
室内设计是同样希望以装置为核心去构建场景，空间整体明亮简洁，采用白色肌理涂料墙面和白色水磨石地面，简洁化处理室内空间，作为中间吸睛装置的“背景板“；大装置组合放在中间朝向入口的地方用于吸引人流，空间布局围绕着装置展开，串联起一系列的展品，犹如海底探险的奇妙旅程，来到异度空间去感受时间暂停的那一瞬；装置底部铺满了沉积于海底的礁石，礁石滩中仅有一条一人宽的小道，顺着小道探险，可以穿梭于各装置之间，让流线变得更加灵活有趣。黑色石子上插满了悬浮着的小灯泡，模仿海洋中海底的奇幻生物，星星点点的闪烁透着海底的神秘之感。
The interior design also hopes to build the scene with the device as the core. The overall space is bright and concise. The white texture paint wall and white terrazzo floor are used to simplify the interior space and serve as the “background board” of the central eye-catching device; large installations are combined The place facing the entrance in the middle is used to attract the flow of people. The spatial layout is spread around the installation, connecting a series of exhibits in series, like a wonderful journey of underwater exploration, coming to a different space to feel the moment of time pause; the bottom of the installation is covered with The reefs deposited on the bottom of the sea, there is only a one-person-wide path in the reef beach. You can explore the path along the path, and you can shuttle between the devices, making the flow line more flexible and interesting. The black stones are filled with suspended small light bulbs, imitating the fantasy creatures on the bottom of the ocean, and the stars are shining with the mysterious feeling of the bottom of the sea.
▲接待台与仓储空间的关系 | The relationship between reception desk and storage space
利用仓储空间和接待台将空间中不规则的部分消除，中间的装置和四周的展柜都能在一个干净纯粹的方形空间中去展示。设计师将原先店铺剩余的展柜重新利用，相互错动排列，高低起伏，和LOGO、电视屏一起进行平面构成设计，丰富墙面层次。
The storage space and reception desk are used to eliminate irregular parts of the space, and the devices in the middle and the surrounding showcases can be displayed in a clean and pure square space. The designer reused the remaining showcases in the original shop, arranged them staggeredly, with ups and downs. Together with the LOGO and the TV screen, they carried out a graphic composition design to enrich the wall level.
▲装置组合F | Device combination F
原先场地中的暴露的几根结构柱，分别采用不同的方法对其进行消解：入口出的两根结构柱子，一根和深渊镜、展墙结合，利用斜墙包裹结构柱，同时，视线被创造出的斜墙面引导向室内装置；另外一根四面包裹LED广告屏屏幕，和右侧的曲面玻璃展示窗口结合成为入口的标识，给观者留下强烈的记忆；位于空间正中的结构柱与装置一起作为展品出现，镜面的包裹使它能够反射出另一个“空间”，仿佛海洋是一个无尽的深渊。
The exposed structural columns in the original site were resolved by different methods: the two structural columns at the entrance and exit, one combined with the abyss mirror and the exhibition wall, the structural column was wrapped by the inclined wall, and at the same time, the line of sight was blocked. The created oblique wall leads to the indoor installation; another four-sided LED advertising screen, combined with the curved glass display window on the right, becomes the sign of the entrance, leaving a strong memory for the viewer; a structural column located in the middle of the space Appearing as an exhibit together with the installation, the mirror-surface package enables it to reflect another “space”, as if the ocean is an endless abyss.
项目信息 ——
设计方：上海平介建筑设计事务所
项目设计&完成年份：2021年7月
项目地址：杭州嘉里中心
合作方：苏州再造设计，鲜榨无责艺术公司
建筑面积：234㎡
邮箱：di.huang@parallect-design.com
Project Information ——
Project name: Time Pause · ONESWEAR Jewelry store in HangZhou Kerry Center
Designer: Shanghai Parallect Architecture Design Studio
Project Design & Accomplish Date: 7/2021
Design Team: Ying Sun, Di Huang, Fengdi Liu, Mingfeng Xiao
Project Address: HangZhou Kerry Center
Partners: Suzhou Re-design Studio, Freshly Squeeeed
Building Area: 234㎡
E-mail: di.huang@parallect-design.com
