衡建筑 | 青门CAFE&TAPROOM

青门CAFE&TAPROOM是衡建筑与餐饮品牌青门合作的第三个项目。与前两次围绕日间体验不同，此次侧重酒吧的业态需要一个兼具日夜的空间氛围。

Qingmen CAFE&TAPROOM is the third project in cooperation with the catering brand “Qingmen”. Different from the previous two projects, which were designed around the daytime experience, the project at this time focuses on the bar function, which requires an atmosphere that combines day and night.

我们希望为来此小酌放松的客人提供一种如沉浸梦境的旖旎体验。空间的色彩、材料和家具等元素将交织结合成一种氛围，催化加剧起精酿啤酒给人带来的松弛。

We hope to provide a dreamlike experience for the guests who come here to have a drink and relax. The colors, materials, furniture and other elements of the space will be intertwined into an atmosphere, catalyzing the sense of relaxation brought by craft beer.

项目场地为80平米左右的方形空间，场地一侧外立面有一面巨大拱形玻璃窗。吧台、酒墙等功能沿左侧墙体布置，其余的空间则安排成落座区。怎样将原来突兀的单一拱窗融入到空间中为设计思考的重点。

The project site is a square space of about 80 square meters. There was a huge arched glass window originally on one side.We arranged the bar counter, wine wall along the left wall, while the rest of the space was arranged as a seating area.How to integrate the original abrupt single arch window into the space is the key consideration of the design.

设计介入的核心元素是一个偏心的放射状亚克力拱形吊顶，以回应场地既存的巨大拱形窗。落座区的卡座在平面上同样为弧形，墙顶地三个维度由三道圆弧共构成一个整体。不同于通常的分段卡座，我们希望通过连续卡座促进紧密的社交体验，顾客们既可围坐也可与邻座互动。

The central element of the design intervention is an eccentric radial acrylic vaulted ceiling that responds to the existing arched windows. The booths in the seating area are also arc-shaped on the plan, and the three dimensions on the top of the wall are composed of three arcs as a whole. Different from the normal segmented booths, we hope to promote a close social experience through continuous booths, where people can sit around and interact with their neighbors.

曲线围合起的空间充满张力，自然地带着一种与现实间离的虚幻感。意大利导演米开朗基罗·安东尼奥尼的《红色沙漠》是我们构建这个空间的重要美学参考，我们希望来此小避的访客可以如处于自己梦海中般自如。弧形卡座后翘起的坡面地形使用与墙面同色系的胶粘石，拓展并模糊了墙的边界，如同随风而动的红色沙丘漫溯空间。墙与地相互交织，与亚克力吊顶和水磨石地砖形成了色彩和材质的反差碰撞，同时金属与洞石岛台形成了工业与自然的对比。吊顶由亚克力与可变色温的灯膜构成，为夜晚的氛围光提供了无限的可能。不同的材料碰撞出了不一样的火花，打造出了空间独特的氛围感。

The space enclosed by curves is full of tension, naturally carrying a sense of illusion that is alienated from reality. Italian director Michelangelo Antonioni’s “Red Desert” is an important aesthetic reference for us in constructing this space. We hope that visitors to this retreat can feel as comfortable as being in their own dream. The upturned slope terrain behind the arc-shaped booth uses adhesive stones of the same color as the wall, which expands and blurs the boundary of the wall, like red sand dunes moving with the wind and tracing the space. The walls and the floor are intertwined, creating a contrasting collision of colors and materials with the acrylic ceiling and terrazzo floor tiles. At the same time, the metal and stone island form a contrast between industry and nature. The suspended ceiling is composed of acrylic and light film with variable color temperature, providing unlimited possibilities for ambient light at night. Different materials collide with different sparks, creating a unique atmosphere in this space.