刘慈欣在《三体》中，讲述了地球人类文明和三体文明的信息交流、生死搏杀及两个文明在宇宙中的兴衰历程。
诺兰在《星际穿越》里，历史性地把“虫洞”理论展现在好莱坞银幕上，用第五维空间、虫洞旅行、星际航行刷新人类的宇宙观。那么，如果把电影中的超现实太空场景搬到电影院，又会是怎样的空间叙事？
2021年，OFT设计x万科新天影院在深圳龙岗万科广场，创造了一个反重力太空影院，故事从一个迷航宇航员，一段太空之旅，一个未知星球开始……
In The Three-body Problem, Cixin Liu tells the story of information exchange, life and death struggle between human civilization on Earth and three-body civilization and the rise and fall of the two civilizations in the universe.
In Interstellar, Christopher Nolan historically presented the “wormhole” theory on the Hollywood screen, refreshing human’s view of the universe with the fifth dimension, traveling through wormholes and interstellar voyage.So, if the surreal space scenes in the movie are brought to the cinema, what kind of spatial narrative will it be?
In 2021, Oft Interiors x Vanke CINE SKY Cinema created an anti-gravity space cinema in Vanke Plaza, Longgang, Shenzhen. The story starts with a lost astronaut, a space journey and an unknown planet ……
人类向往太空，把星尘当作宇宙的心跳。
一直以来，我们从小说、电影、从天文馆，从科学殉道者身上认知宇宙。
在这一语境中，OFT以全新想象创造未知星球，设计灵感来自科学家发现宙中所存在“红移现象”，即远距离星球射向地球的光以红光为多，设计则还原闪烁于银河系中的幽暗红光。
Mankind yearns for space and treats stardust as the heartbeat of the universe.
We have always known the universe from novels, movies, from planetariums, and from scientific martyrs.
In this context, OFT creates an unknown planet with a new imagination. The design is inspired by scientists’ discovery of the “redshift phenomenon” in the universe, which is, the light from distant planets to Earth is more red light. The design is to revive the dark red light shimmering in the galaxy.
设计动线则与叙事逻辑一脉相承，通过构建「宇宙大爆炸」、「星际穿越」、「未知星球–索拉里斯星」三大空间场景，完成对时间、空间、生命等共识性问题的思考，邀请观众进入宇宙梦境。
Oft Interiors creates a virtual galaxy with a new imagination, takes design circulation as the logic of narrative to build three scenes of “Big Bang”, “Interstellar” and “Unknown Planet – Solaris”, to complete the thinking of consensus issues such as time, space and life, and to invite the audience to enter the cosmic dreamland.
大堂所讲述的就是关于「宇宙大爆炸」的故事，「宇宙大爆炸」是时间、空间的开始，也是光、引力、元素的开始，这条名为“诞生”的隐藏故事线与影院大堂的“开端”功能暗自重合。
The lobby tells the story of the “Big Bang”, which is the beginning of time and space, as well as the beginning of light, gravity, and the elements, a hidden story line called “birth” that secretly coincides with the “beginning” function of the theater lobby.
Using the hollow structure of the original building, the designer uses rings as “planet” shaped devices through stainless steel and other hard materials. These fixed devices seem to float randomly but in an orderly manner between the sky, just like planets following the gravitational laws of the universe.
设计师利用原始建筑的中空结构，通过不锈钢等硬性材料，以环形作为“星球”造型装置，这些固定装置看似随意实则有序地漂浮在苍穹之间，就像行星在遵循着宇宙的引力法则。
Using the hollow structure of the original building, the designer uses rings as “planet” shaped devices through stainless steel and other hard materials. These fixed devices seem to float randomly but in an orderly manner between the sky, just like planets following the gravitational laws of the universe.
巨大的环形与大量垂吊装置创造出一种空灵的漂浮感，这种漂浮感像是置身于无穷无界的宇宙中，让我们可以只凭自由意志与喜好，肆意触发各种奇特的波长，与自己、与不明物种进行对话。
The huge ring shape and a large number of dangling devices create an ethereal floating feeling, which is like being in an infinite universe, allowing us to trigger various strange wavelengths with free will and preference, and to have a dialogue with ourselves and unknown species.
一面可以弯曲梦境的镜面，则映射出无尽的黑暗，正如刘慈欣在《三体》里写道，宇宙也曾光明过，创世大爆炸后不久，一切物质都以光的形式存在，后来宇宙变成了燃烧后的灰烬，才在黑暗中沉淀出重元素并形成了行星和生命。所以，黑暗是生命和文明之母。
A mirror that can bend the dreamworld maps out the endless darkness. As Cixin Liu wrote in The Three-body Problem, the universe was once bright. Shortly after the Big Bang of creation, all matter existed in the form of light, and then the universe turned into burned ashes before the heavy elements were precipitated in the darkness and formed planets and life. Therefore, darkness is the mother of life and civilization.
导视标识灵感是一个凹陷的月球表面，灵感来自平克·弗洛伊德（Pink Floyd）专辑《月之暗面》（《The Dark Side of The Moon》），设计师用可以隐藏的暗面，完成这场让人分不清真假虚实的视觉游戏。
The signage is a sunken surface of the moon, inspired by Pink Floyd’s album： The Dark Side of the Moon. The designer uses the dark side that can be hidden to complete this visual game that makes it hard to distinguish the real from the fake.
随着人类对太空的探索，宇航员也因此不断进行星际穿越。
With the human exploration of space, astronauts are therefore constantly doing interstellar travel.
在步入二楼后，这段围绕天体运动的“环形公路”则试图在回应这个哲学问题，我们该去向何处？
After entering the second floor, this “ring road” around the movement of the heavenly bodies tries to respond to the philosophical question: Where should we go from here?
而此时，我们在太空航行时所观察到的宇宙，像一个梦幻与现实的聚合体，在不同的角度与光影中，产生不断变化的视觉效果，在不经意的某个瞬间，让观众忘却日常，完成一场立体而奇妙的审美体验。
At this time, the universe we observe while sailing in space is like a polymer of dream and reality, producing ever-changing visual effects in different angles and light and shadow, making the audience forget their daily life and completing a three-dimensional and wonderful aesthetic experience in an unconscious moment.
从银河系到太阳系再至其他未知星球，设计团队以最朴素的材料，展现出最复杂的宇宙回声。
From the Milky Way to the solar system and other unknown planets, the design team uses the simplest materials to show the most complex echoes of the universe。
在VIP影厅的形式上对人与空间关系进行探讨，点睛之笔正是空间之间的模糊边界，这也是宇宙的混沌形态。
Exploring the relationship between people and space in the form of a VIP cinema hall, the punchline is the blurred border between spaces, which is also the chaotic form of the universe.
当我们在太空航行中，终于抵达未知星球–索拉里斯星，这大概是人类最孤独的时刻。
When we finally reached the unknown planet, Solaris, it was probably the loneliest moment for mankind during the space voyage.
因为这是关于未来的故事，进入到影厅的观众会被一种类似宇宙空间感包围，观众可以在墙面上观测行星的移动，当文明的流星划过，宇宙记住了他们的光芒，从而迸发出一种炽热、感性而纯真的能量。
Because this is a story about the future, the audience entering the theater will be surrounded by a sense similar to the space of universe, where the audience can observe the movement of the planets on the walls, as the meteors of civilization pass by. The universe remembers their light, thus bursting with a fiery, sensual and innocent energy.
未知的天体与行星贯穿了整个影院空间，从故事开端到结局。让观众透过观察多维角度下的面貌差异，找到宇宙内在和谐的自然节奏，获得独一无二的多层次观影体验。
Unknown celestial bodies and planets run through the entire cinema space, from the beginning to the end of the story. By observing the differences between the faces of multi-dimensional perspectives, the audience can find the natural rhythm of the inner harmony of the universe and gain a unique multi-level viewing experience.
探索、发现、构建，是人类的本能。
在CINE SKY新天影院中，我们寻求共鸣，寻求关于太空，关于生命的体验。
OFT用三个场景展示出一条清晰的故事线，将空间，故事，场景完美结合，把情感与本能投射在空间中，出色地完成了新天影院的场景命题，写下这部超现实太空史诗。
当身处太空，回望人类的渺小与伟大，正是因为好奇心与热爱，才让我们无法停止探索另一时空的脚步，直到生命轮回直到星尘被逐一捕获。
It is human instinct to explore, to discover, and to build. In CINE SKY Cinema, we seek empathy and experiences about space and life.
Oft Interiors uses three scenes to show a clear story line, perfectly combining space, story, and scene, projecting emotions and instincts in space, brilliantly completing the scene proposition of CINE SKY Cinema, and writing this surreal space epic.
When in space, looking back at the smallness and greatness of human beings, it is the curiosity and love that make us unable to stop exploring another space-time until the stardust is captured one by one.
项目信息——
项目名称：龙岗万科广场新天影院
项目地址：广东·深圳
项目面积：3600㎡
竣工时间：2021年12月
业主单位：新天影院
室内设计：OFT设计
项目摄影：Sean
Project Information——
Project Name：Longgang Vanke Plaza CINESKY Cinema
Project Address：Guangdong-Shenzhen
Project Area：3600㎡
Completion Date：December 2021
Owner：CINESKY Cinema
Interior Design：Oft Interiors
Project Photography：Sean
