这家零售烘培店让甜品们走上了"T台"

pierre de ronsard是广为熟知的月季龙沙宝石而它另一个含义是法国近代诗人的名字，他在诗中将借花喻人从而被传诵一时，业主选择将它作为店名，从而作为浪漫含义的延伸。

Pierre de ronsard represents the well-known Eden Rosegem, and also the name of a modern French poet, who was widely spread for his description of human beings with a metaphor of flowers. It is selected for the name of a shop by the owner, as an extension of romantic meaning.

作为一家空间以展陈为主，生产烘焙与甜品的零售体验店，我们希望以概念营造空间特质，塑造独特的空间氛围延展店铺设计的可能性。

As a retail shop mainly for displaying the baking process and desserts, it is designed to create a spatial feature with the concept, and establish the special atmosphere, so as to extend the possibility of the shop design.

“边界”

”Boundary”

边界不是某种东西的停止，而是某种新的东西在此出现—海德格尔。

The boundary is not the stop of something, but the appearance of something new. – Martin Heidegger.

场地一面临商场内街，我们把对边界的思考作为出发点，以体块替代界面，通过减法设计，模糊空间的界限。

One side of the site faces the inner street of the shopping mall, and therefore starting from the thought of the boundary, a block is used to replace the interface, to obtain an ambiguous boundary of space by the minimalist design.

相互渗透的关系使之具有一定的开放性，以实体的消解与融合联系内外空间。

The relationship of mutual penetration endows the space with openness to some extent, and connects the internal and external space with the physical dissolution and fusion.

“介入”

”Intervention”

如同破土而出的植物一般，陈列构架以反向生长的方式进入空间并互相联结，质地、色彩、形式与周边截然不同形成鲜明的对话关系，多向维度的延展交叉划定行走的流线，身处其中，动线是固有的而视线是通达的。

Like a plant breaking through the soil, the display framework enters the space in the way of reverse growth and connects with each other, in which the entirely different texture, color and formestablisha distinct dialogue relationship with the surroundings. Multi-dimensional extension and intersection definethe pedestrian circulation, in which the circulation is constant and the line of sight is unobstructed in all directions.

不同高度的金属层板，提供展陈所需之外，也是与顾客互动的装置。

The laminated metal sheets with various heights play roles of displaying and interactive installation with customers.

围绕模糊边界的概念，入口象牙色的穿孔弧墙，以渐变的孔距回应。

Centered on the concept of ambiguous boundary, the perforated curved wall with ivory paint near the main entrance responds with the gradually varied spacing of holes.