楔 · PROLOGUE

 

现代人以服装作为自我的延伸,借助时装让唯我论在庸碌宇宙中显圣。我们在此讨论,如何制造一个「时尚」的容器?拒绝追逐流行的虚型,将复制品归入劣等,以拓荒者的姿态展露态度。正如阿庇亚认为:不应制造森林的幻觉,要创造身处森林者的幻觉。

Modern people use clothing as an extension of themselves and use fashion to make solipsism manifest itself in the mediocre universe.We are here to discuss how to create a “fashion” container?Refusing to pursue popular virtual models, classifying replicas as inferior and exhibiting their attitudes as pioneers.As Apia believes, it is not necessary to create the illusion of the forest, but to create the illusion of those who are in the forest.

 

映射 · MAPPING

 

这是无壁垒的设计精神对于雷同化的医治,一次语义转换的美学实验。设计以叙事性的几何法则,对建筑进行量裁。竖向元素呼应圈定空间,塑造出更具凝聚性的场域。拆解自然,使其转化为人造室内足够容纳的美学符号。

This is an aesthetic experiment of semantic transformation based on the barrier-free design spirit for the treatment of similarity.The design uses narrative geometric rules to measure the architecture.The vertical elements echo and delimit the space, creating a more cohesive field.Disassemble nature and transform it into an aesthetic symbol that can be adequately accommodated in an artificial interior.

于是,「水」作为多种意象的合集被引用——容纳者、深刻的觉受反应与自观之镜。以易感的能量法则,池在静默沉肃的整体氛围中泛起波澜,赋予空间永不固化的流动性灵魂。

Therefore, “water” is considered as a collection of multiple images – the receiver, the profound sensory response, and the mirror of self observation.With the energy law of sensitivity, the pool ripples in the overall atmosphere of silence and silence,Give space a fluid soul that never solidifies.

 

糅合 · MIX

 

撕开风格的边界,塑造包罗万象的自我。不依附于任何一个时期、任何一种「主义」,任由错综的时间线在此交汇,如同一切故事的元点。极具张力的构造中,纵深延展,穿越时空双重属性的动线。人为构置的墟壤中,新旧反差以视觉语言冲击着整体环境下的陈腐烙印。简单的林立陈列,也能碰撞出强烈的情绪转折。

Tear apart the boundaries of style and create an all-encompassing self.Not attached to any period or any kind of “doctrine”,Let the intricate timelines meet here, like the meta points of all stories.In a highly tensile structure, it extends in depth and traverses the dynamic line of dual attributes of time and space.In the artificially constructed ruins, the contrast between the old and the new impinges on the outdated branding of the overall environment with visual language.Simple displays can also create strong emotional transitions.

 

终 · EPLIOGUE

 

在此处,思维能够超越桎梏,在符号化的遗迹中得以重塑与新生。推翻巴比伦的沉闷后,一切便脱胎于骨质的灰白。

Here, mind can transcend shackles and be reshaped and reborn in symbolic relics.After overthrowing the dreariness of Babylon, everything was born out of the gray bones.

▲平面图plan

项目信息——

项目名称 | 24ans

项目地址 | COSMO Chengdu

项目面积 | 290m²

主创设计师 | E.ko梁屹

设计团队 | E.ko梁屹| Terri汪衍|Jazmin周敏

装置艺术制作 | E27 Studio | 24ans

摄影 | Cookie

文稿 |Jo谢婉璇

项目完成时间 | February 2023