hcreates罕创 | Luneurs Alunissage上海国金店

位于上海陆家嘴金融中心的Luneurs Alunissage 国金店设计概念源自六七十年代消费和家庭生活的激增。我们从那个时代著名的法国设计和电影著作汲取灵感，皮尔卡丹的时尚世界、著名工程师设计师让·普鲁维的家具艺术以及苏菲·玛索主演的电影《初吻》。我们通过颜色、图案和材质创造了家的氛围。

Luneuers Alunissage is inspired by the surge in domestic consumerism during the 60s and 70s. We took musings from prominent French design and culture during this era, from the fashion of Pierre Cardin to the furniture of Jean Prouve and movies such as La Boum. Through hours of research and refining we created a retro French home in the heart of Shanghai’s financial district.

空间面积超过300平米，因此保留Luneurs的亲密感、温暖氛围和互动性成为了关键。我们通过“一个理念、两种体验”，创造“家”里不同的功能区域，最终由两个截然不同的空间和氛围组成“内部”和“外界”。

The space is over 300m² but it was important to retain the intimacy, warmth and community of other Luneurs venues. Leading us to create one concept, but two experiences, by creating varying zones typical of ones “home”, made up of two distinct spaces and atmospheres – extérieur and intérieur.

“外界”包含咖啡、烘焙和冰淇淋区域。这个空间模仿了住所的外部露台，尽可能靠近入口且有较多的自然光源。我们在此区域排列了镜面玻璃框架立面，将更多的光线反射到空间深处。定制家具灵感源自1950年代家庭的户外庭院家具和彩色图案面料。

“exteriuer” we have the Patio, which includes a casual coffee/ bakery/ ice cream area. This space was designed to imitate an exterior environment, located as close as possible to the entry and limited natural light of the space. We lined this area with mirrored glazing/ frames to resemble a fa?ade, but also to reflect as much light as we could deeper into the space. The custom furniture was inspired by 1950s era domestic patio furniture with its colorful patterned fabrics.

“内部”是一个更加私密的餐厅空间。划分为起居、学习、用餐和厨房区域，各具特色。可以从地板、墙壁天花板饰面和立面发现微小的不同，客人在各个区域落座都会有新颖的体验。

“intérieur” we have the home and living spaces, a more intimate environment for the restaurant which incorporates a living, study, dining and kitchen area. These spaces have their own distinct characteristics, and often subtle changes in flooring, wall or ceiling finishes and levels, creating slightly unique experiences depending on where the customer is seated.

“客厅”由软垫长椅、沙发、地毯和扶手椅组成，加上小型家具式橱柜。

The living room is characterized by softer upholstered bench seats, sofas, rugs and chairs, with the introduction of smaller scale “furniture like” cabinetry.

“书房”区域是一个小角落，由深色树瘤纹橱柜、书架和木地板构成。

The study nook is a small area enveloped by dark burl cabinetry, library shelving and timber floors. The tables in the study area imitate desks, folded down from the cabinetry units along the side.

穿过“客厅”和“书房”后，客人来到用餐区。其亮点是高一阶的图案地面，餐桌、复古吊灯和天窗。用餐区和“厨房”相连，这既是一个实际可用的餐盘准备间，同时家用高脚厨房柜也可供客人在此区域用餐。“厨房”的窗户直接通向隐藏于后方的真正厨房。

Moving through the space, the customers then enter the dining area, characterized by a raised patterned floor, dining tables, retro pendant lights and clerestory windows. The dining space connects to the kitchen, both a practically operational space for plate preparation which also includes domestic height kitchen counters for customers to dine. The kitchen’s windows lead directly onto the actual commercial kitchen concealed behind.

“家”的概念既是设计美学基调，又为原始场地位置和形状带来的挑战提供了解决方案。整个空间原本立面很少，自然光缺失。我们分为两个部分后，将餐厅区域打造成更昏暗亲密的氛围，让人感受到在家时的轻松和舒适。期望你的每次访问，都能有不一样的全新体验。

The concept of home was used both as an aesthetic driver but it also helped solved challenges arising from the location and shape of the site itself. For a large space, the site had a very small fa?ade with little natural light. Separating the two spaces allowed us to create a darker more ambient atmosphere in the restaurant space, more associated with the comforts and intimacy of home. By using cabinetry that was domestic in style and scale we were able to combat a lot of material restrictions due to fire requirements, as loose freestanding furniture could integrate wood, fabrics and softer furnishings we relate to our home environments.